Tag Archives: Stormpoint

October Stormpoint – Relativity destroys Strength

Saying morals are relative destroys our inner strength. And the strength of story. It unravels the framework, the structure, and the heart of the story, which ought to tell us something about how relativism works – or doesn’t – in us.

If we believe relativism, it’s like trying to fight on dry dunes. The sand is never stable, giving us nothing to rely on. That tyrannical belief begins in us, when we redefine, excuse, and explain what we can about our circumstances in attempts to justify our actions. Relativism is the mark of the bad guys. There is no solid ground to stand on, no reliability. It is false, deceptive ground. We can build no lasting framework, no structure here. There is no place of inner strength to find.
Wyldling Trials and The Shadow Elf’s Mission reveal inner strength in their good characters because they fight on the rock, or a least toward the rock. They are fighting relativistic thinking. That fight between the relativistic villain and the underdog who says, ‘no, the same rules apply to you and everyone,’ is a forge. Often a forge of pain.

As we have said, there is always some kind of pain in training: from that of tearing, expanding muscle, to rigorous trial of spirit, to heart-pain that makes room for compassion or which turns that which is weak inside to steel. … Hence, forging forces are needed in the inner arena. The training arena, the gladiatorial arena, and the liberating arena of ideas where spirits strive through the ages—all have served this purpose. When a fantasy story combines the external elements of training, the contest, and the gaze of witnesses with high inner stakes of the moral war, we have a great story and fly through the pages . . . –Fantastic Journey pg. 145

You can’t have any kind of story that rings true, that has a framework, or structure, or heart without objective morality, which is a rock to us. What inner strength we have comes from what we stand on, from our rock. We must choose, we do choose, relative truth or objective truth in every circumstance. Will we tell ourselves tales or the truth?Oddly enough, the more relativistic a character in a story is, the more we hate them. As I say in Fantastic Journey, “Principles, or their lack, drive the blade in every world.” We use the blade in a right or wrong way. Every moral rock, all reality attests to this, even the reflections of reality we call story.

What ground do you choose to fight from? What is your rock? Or rather “who” is your rock? Yourself or???

Fight well!

Until next time,

Azalea – Crossover, Find the Eternal, the Adventure

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April Stormpoint – The Strength of Choice – In Story and Life

Story impacts us by reflecting choices and results, thus helping us see the difference we can make in the world of the book, and in our own sphere.

Maybe that is another reason we love the adventure of voyaging in the fantasy realm. For the magic and mystery of discovery, where choices matter and we impact everything we touch. Fantastic Journey pg. 74 

How do you think stories reflect choices and consequences and the reality of life?

Well, some things are clear. We cheer when the bad choices of villains bring the consequences of justice to their door. Or, if there are mitigating circumstances that make us weigh justice and mercy, then our brains smoke a little, which is all to the good. Our brains are too flabby, and in need of exercise. Whether the villain gets his just deserts, or another chance with a helping of his deserts, or simply overwhelming mercy, choice always brings results.

The choice to pursue what is good and right brings fruit also, including the riches of goodness itself to ourselves and others. If good choices also brings pain at times because of the reaction of a villain, at least it is not pain brought because we chose badly. For our bad choices harm others, even if on so small a level that they simply care what happens to us.

Sometimes the reflection of story is about the choice of another on our behalf, after they see our choices. Such a story is E.G. Moore’s The Last Dragonfly. Etoiny chooses to follow in her mother’s footsteps. She chooses knowledge instead of the status quo. True knowledge, after weighing good and evil, not simply what she is told. She decides to allow the wide world in, instead of remain in comfortable insularity. Others around her make their choices. One will follow a heart of greed. Another will see the error of thinking Etoiny is a foolish child. One will love her to the end, and the last will discover what they missed. But there is hope for the future, in more opportunities, choices, and change. Though there is a point where choice may not be changed.

We cannot choose our circumstances, but we can, we must, we do always choose our reaction to our circumstances. Is it not almost always so in story, and life? The desire of our heart influences our will, our will determines our choice, and our choice always brings fruit. But thank God, He gives us the gift of mercy, and change. As it says in the movie, The Redemption of Henry Meyers, the greatest gift of God to man is change. I love that. The fact that we can change, we can do right, we can be kind when our hearts are changed. It comes down to choice.

I am thankful for mercy. I am thankful for justice. I am thankful for goodness. Today, how many times must I choose between good and evil? Stories bring us face to face with choice, result, and their impact. A glimpse into another life can rip away our excuses, and show us our own faces. It can also show us what we want to become, who we want to be like. Let’s make heroes and heroines, in both worlds. May choice change us.

One such hero that comes to mind immediately is Jonathan Renshaw’s Dawn of Wonder, The Wakening Bk 1. If you haven’t read the story of Aidan’s brave coming of age, you’re missing out. A curious, vulnerable, indefatigable hero, his tale is humorous, epic, and delves deep into choices. All at a good pace.

But what do you think gives strength to good choice, to bad choice? What chains a result to its choice? How are we bound by choice? How are we liberated by it?

As Alice Ivinya says in Crown of Glass, released yesterday, “I wonder if sometimes it is hard to know what is right and what is wrong until we’re forced to fight for it. And hard to appreciate something until we are forced to wait for it. Maybe sometimes, the darkness has to happen for us to understand the nature of light.”

In other words, often we don’t pay attention to right and wrong, or think deeply about it until forced to fight for the right, against wrong. And darkness shows light for what it is.

What choices do the heroes and heroines you read about make? How do they influence your thinking? And your choices?

Until next time,

Crossover – Find the Eternal, the Adventure

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